Vincent, Merrill Garbus's Tune-Yards and Laura Marling, who added a cello and brass to her retro-folk sound, presented polished, high-concept chamber pop, as did Other Lives, who impressed with melodramatic baroque folk featuring strings, orchestral synths and vocal harmonies in support of the quietly charismatic singer Jesse Tabish.

WSJ: Coachella's Modern Mosaic | By Jim Fusilli