He added jazz to his critical portfolio two years later, publishing some of the first essays of substance about such now-legendary artists as Bix Beiderbecke, Duke Ellington and Benny Goodman.
At least the catalog does, in its wide-ranging essays by a variety of scholars and its reprints of critical texts from 1933 and 1954. (It also includes a fascinating technical analysis of Braque's work that reveals much about his methods.) The exhibition allows the paintings to speak for themselves.