"All I need is a chair" de la Renta multitasks, one minute okaying a gorgeous tie-dyed crepedechine with over-embroidery and sequins that will end up as a dress and a suit, choosing the pelts for a sable poncho the next.
In Mr. Gomes's showcase, Jorma Elo's awkwardly titled "Still of King, " the dancer looked ballet-classical in uncredited costuming of cream tights and crepe-de-chine "Romantic" shirt, but the classic costume design turned out to be a gag for the choreographer.