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As they are, they resemble casual improvisations on the ballet's most famous choreographic and mimetic passages.
WSJ: Giselle at the D?j?ji Temple | Yasuko Yokoshi | Bell | New York Live Arts | By Robert Greskovic
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Her spins were solid, though they were all done in the same side of the rink, a choreographic no-no.
NPR: Kim Wins Women's Title At 1st Worlds In 2 Years
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Mr. Bigonzetti's choreographic invention was fixed on busy, arbitrary, relentless tangles, flicks and flutters for the men's arms and hands.
WSJ: Kings of the Dance, Opus 3 | Royalty Made Common | By Robert Greskovic
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The most exciting German dance artist to emerge from the post-reunification years is sure to keep Berlin in the choreographic frontline.
ECONOMIST: Germany is now the dance centre of the world
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That is, his choreographic scheme works more pointedly to delineate the unfolding plot than to set off segments of solo, duet or ensemble dances.
WSJ: Firebird | American Ballet Theatre | Ratmansky's Fresh Fantasy | By Robert Greskovic
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Though the choreographic details of Mr. Williams' dance up until this point seem more predictable than profound, the unleashed fabric magically caps this show.
WSJ: A Puppeteer's 'Rite' of Passage | Basil Twist | By Robert Greskovic
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If he were to revisit his classical, choreographic elements further, these adventures might be as memorable for their distinct dancing as they are for their surrounding theatrics.
WSJ: Stolen by Design | Alice's Adventures in Wonderland | National Ballet of Canada | By Robert Greskovic
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Watching his choreographic work, though, I noticed some not so entertaining tropes: Ashford had a tendency to present his female dancers as types vamp, ditz, and so on rather than as full-bodied characters.
NEWYORKER: Secrets and Lies
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Up to this point the choreographic action has elicited as much delighted laughter, unusual for "Firebird" productions, as it has drawn audiences into the fairy-tale twists and turns of its narrative.
WSJ: Firebird | American Ballet Theatre | Ratmansky's Fresh Fantasy | By Robert Greskovic
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R.3: Current efforts to safeguard and promote the performance of Fest-Noz are outlined in the nomination, and proposed safeguarding measures, supported by the State and communities concerned, include documentation, promotion, formal education and non-formal transmission of musical and choreographic knowledge.
UNESCO: Intangible Cultural Heritage