在电影的空间建构方面，赫尔佐格将广阔的地域空间、艺术化的镜头空间和关照现实的意义空间这三种空间形态统一建构于影片之中。
On the aspect of space construction in the film, Herzog unifies the vast geographical space, the artistic lens space and the meaning space that concerns about reality together into the movies.
在第二天拍摄的前一天晚上，我到了影棚并且和模特进行了布光测试，根据空间来决定使用那只镜头，并且为第二天的拍摄做好充分准备。
The night before Day Two’s shoot, I went in with a model to test out the lighting, get a feel for the space to determine which lenses to use, and just be totally prepared for Day Two.
很多情况下使用广角镜头是合适的，它可以让曝光过度的太阳占据较少空间。但广角镜头很容易受到产生光晕。
Wide-angle lenses tend to work best because the blown-out sun takes up less of the image, but they are susceptible to lens flare.
现在，每隔30秒，PS1就会拍摄一幅1400万像素的天空的一小块，和一个满月一样大--该图片比哈勃空间望远镜的主镜头获得的图片大3600倍。
Now, every 30 seconds PS1 snaps a 1,400-megapixel shot of a section of sky as large as 36 full moons—a view 3,600 times larger than the Hubble Space Telescope’s main camera.
现在，每隔30秒，PS1就会拍摄一幅1400万像素的天空的一小块，和一个满月一样大--该图片比哈勃空间望远镜的主镜头获得的图片大3600倍。
Now, every 30 seconds PS1 snaps a 1,400-megapixel shot of a section of sky as large as 36 full moons—a view 3,600 times larger than the Hubble Space Telescope's main camera.
随后探索频道空间的制作人伊恩·奥尼尔写到，“从镜头可以看出亮点在下降，好像在圣殿盘旋。”
As Discovery News space producer Ian o 'neill wrote, "the footage shows the light drop and seemingly hover just above the shrine."
新视频叫做《盗梦空间：特殊角度》，长度接近五分钟，其中收录了导演诺兰对影片的评论和大量幕后镜头。
At nearly five minutes in length, "Inception: an Extended Special Look" features comments from Mr. Nolan and lots of behind-the-scenes footage.
但从里面拍摄的镜头来看，反光镜离他的头很远，有很大的空间距离。
But when we see shots from inside the robot, there is plenty of room around his head and we don't see the mirror.
摄影本体语言包含摄影的纪实性、瞬间性、时间与空间的拓展、镜头透视关系变化、清晰与模糊的运用等。
Photographical language concludes photography's documentary, instantaneous, the expanding of time and space, the change of shot perspective relationship, the application of clear and ambiguous, etc.
他的镜头更聚焦于一些不起眼的空间，有时是日常生活小景，有时是被遗弃的角落。
Regardless of scene of daily life or deserted corner, he prefers to pay much attention to unimpressive Spaces.
在影视作品中，画外音应起到展示、塑造影片的画外空间，丰富镜头的信息量。
In film-video works, the voiceover is expected to express and sculpture the out space of the film, and to enrich the quantity of the information of the scene.
LD系列使用更高的镜头平移空间也同样可以保持较低的畸变和较少的像差。
VS-LD Series maintains low distortion and less shading by utilizing a higher amount of lens shift.
本文提出了一种基于空间一组平行线标定镜头畸变的简便方法。
A new approach for lens distortion calibration is presented in this paper, which utilizes parallel lines.
镜头动静结合用以介绍环境背景、交代时间空间、抒发人物情绪、推进故事情节等等。
Lens for introducing environment combining static background, metasomatism time space, to express the characters' emotions, promoting storyline, etc.
文章分析空间以及建构空间的镜头语言，试图在话语之外发现侯麦电影潜在的更丰富的表意内容。
This paper analyses the space and the lens language of building the space just for the purpose of finding the potential and much richer ideographic contents in his movies.
阿孔戳在集装箱侧面让镜头凝视着空间不足，而且附加了升压摩托罗拉手机的相机，将GPS坐标发送回地球。
A hole poked in the side of the container let the camera lens gaze out into space, and they attached a Motorola Boost cell phone to the camera so it would send GPS coordinates back to Earth.
我希望这些对象被限制到飞机，它本身可以在三维空间移动(镜头跟随)。
I want these objects to be constrained to the plane, which itself can move about in 3d space (the camera follows it).
打破传统的叙事结构，镜头在时间、空间上的跳跃多变。
It, combined changeable elements in time and space, broke the traditional way of narration.
仅仅几天后，空间站的宇航员在12月中旬修理哈勃太空望远镜，大镜头集中在一个星团在宇宙边缘-和拍照天堂！
Just days after space shuttle astronauts repaired the Hubble space Telescope in mid December, the giant lens focused on a star cluster at the edge of the universe - and photographed heaven!
时间流转，我发现自己的镜头和思想也在不知觉中转换了方向，从空间形态转向人性百态：巴西依帕内玛海滩上跳着热情桑巴舞的老少人群；
Over time, I have found my camera and my mind are quietly switching their attention from the physical to the human aspect of cities: the dancing crowd on Ipanema Beach in Rio;
因为有镜头的变化，为了便于制作和最大限度地模拟出三维空间的视觉效果，我们需要分层作业。
Because there are changes in the lens, in order to facilitate the production and to maximize the simulated three-dimensional visual effects, we need layered operations.
镜头转移到十二番队舍，铁斋用“空间转移”移动房间中的杂物，让那里有足够的空间给他们8 人。
A scene cut to 12 Division HQ. Tessai uses kuukantentei to move several stuffs in the room so there is enough space for 8 captains and the vice captains.
例如对于长镜头的使用调度上就充分利用三维动画虚拟真实空间的特点，利用其自身特性实现对作品意境的表达。
For example, the use of scheduling for the long lens on the full use of 3d animation features of virtual reality space, the use of characteristics of its own conception of the works of expression.
物体、人物、空间总是在镜头里或者不在镜头里，从这个意义讲，不布景简直是不可能的。
Because objects, people, space, are always either inside or outside the frame, it becomes impossible not to stage a photo in this sense.
物体、人物、空间总是在镜头里或者不在镜头里，从这个意义讲，不布景简直是不可能的。
Because objects, people, space, are always either inside or outside the frame, it becomes impossible not to stage a photo in this sense.
应用推荐