首先是张戒和《岁寒堂诗话》的简介。
第二章主要解析《岁寒堂诗话》的理论建构。
The second chapter is theoretical construction of Sui Han Tang Poetry Notes.
第二节，简要概述了《岁寒堂诗话》在后世的影响。
The second segment summarizes its influence upon later generations.
从诗话角度切入，研究晚明时期的竟陵派是很有必要的。
So it's necessary to penetrate from the Poetry for exploring the role of Jing-ling Group in late Ming dynasty.
其中“领悟式”的批评方法，对于后世诗话具有垂范作用。
The criticism way of" apperception type" was helpful to the poetic criticism of aftertime.
第二部分主要概括、论述宋代诗话对李白其人其诗的评价。
Part two generalizes the comments upon the poet Li Po and his poems in the poetics of the Song Dynasty.
第五章主要分析总结《岁寒堂诗话》的历史地位与理论价值。
The fifth chapter is historical position and theoretical value of Sui Han Tang Poetry Notes.
杨慎的《升庵诗话》是明代以前最长的诗话，其内容博大精深。
Sheng An Comments Poems by Yang Shen was the longest poem comments prior to the Ming Dynasty. It covers a wide range of profound knowledge.
本文主要从历代诗话中搜寻资料，来探究鲍照诗歌在后代的接受史。
This dissertation searches data mainly from poetry talks through the ages and explores Bao Zhao poetry acceptance history from his later ages.
《沧浪诗话》即为代表作，其中“妙悟”说印是来自禅宗的重要概念。
Canglang Peotry Talks is a representive book, Miaowu steins from important concepts of Chan sect in it.
本章即从两个方面归类考察《岁寒堂诗话》对于诗歌作品的分析评论。
This chapter investigates poetic analysis and review in Sui Han Tang Poetry Notes form two aspects.
关注文品和人品的统一，是王船山在《姜斋诗话》里的一个显眼的视点。
Paying close attention to the unity of moral quality and the writing quality is one of the conspicuous view in Wang Chuan shans Jiangzhai Poetry Talks.
比较中国诗话与西方诗学是寻求跨越时空的共同诗学规律，是比风格，比特征。
The paper makes a comparison between Chinese poetry talks and western critique in order to find their common rules in trans-space and trans-time, the different styles and features.
此三方面彼此渗透，共同推进，最终使宋代诗话的研究成为古典诗话研究中的重头戏。
The three aspects permeate each other, push forward together, and make the study become the focal theatrical programme of the poetry talks study.
《名媛诗话》在一定程度上体现出清代经世致用实学在女性世界别具意义的实践成果。
Ming Yuan Shi Hua reveals the significances of Qing's practical ideology to the female.
诗话是较灵活轻松的诗论，能够体现出作者的诗歌倾向、理念，及对其他诗家的看法。
Poetry, which is a more flexible form of poetry theory, can reflect poet's orientation and idea of his poetic creation, and his way of looking at other poets.
杨歧派的话头，有的是《沧浪诗话》的理论准备，有的是对《沧浪诗话》论断的超越。
Some of Yangqi Group's idioms are the theory preparing for Canglang Poetry Talks and some of them are the surpassing the Canglang Poetry Talks inference.
明代诗话所阐述的诗学理论，主要集中在格调说、复古论、分唐界宋之争这三个问题上。
The theory of poetry in Ming Dynasty mainly centers on three questions, that is, of style, of returning to the ancients, and of defining poems in Tang or Song dynasties.
据此考证，确定了《随园诗话》的最早版本，解开了《随园诗话》版本问题的百年之谜。
Based on this, the author confirm the earliest version of Suiyuan Essay on Poetry, which solves the century puzzle of version.
宋代文学批评家严羽创作的《沧浪诗话》，是宋代诗话史上最富理论性、体制最完备的一部著作。
《Poem Theory of Canglang》which was written by Song Dynasty's poem critic Yanyu is a strong theory and complete system work .
诗话是我国一种独具特色的论诗体裁，传入日本以后受到了日本学者的广泛关注，创作了不少日本诗话。
The poetical talks is a special type of literature criticism, after it went to Japan, the Japanese scholars created a lot of Japanese poetical talks.
《岁寒堂诗话》与《沧浪诗话》是宋代蔚为大观诗话中的杰出代表著作，并以其卓越的理论价值著称于世。
As the outstanding writings of Song Dynasty, "Sui Han Tang Shi Hua" and "Cang Lang Shi Hua" have excellence and famous theory value.
中唐诗文大家韩愈，在宋代诗话批评中受到广泛的关注，人们结合历史时期诗学趣尚对其进行了多方面、多角度的论评。
As a well-known poet in Middle-Tang Dynasty. Han Yu was extensively concerned about. The critics linked with poetical fashion of The Times, criticized his poems from various angles.
拟从严氏理论与王维诗歌的离合入手，浅论《沧浪诗话》不论王维的原因：在根本上，严氏的用世之志与王维诗中佛理禅意具有隔阂；
This paper has a discussion of the reasons for this based on the difference between Yan's theory and Wang Wei's poetry.
“清”在《静志居诗话》中是一个比较重要的批评术语和美学观念 ，与魏晋和明代“七子派”的“清”的内在精神相比显示出一定特色。
In the "purity" aesthetic concept, there permeates some features of seven writers keeping puritys realistic critical spirit which is really valuable.
本文从多方面考察诗话创始之初的宋代诗话与宋代最大的诗歌流派江西诗派的关系，认为早期诗话不是诗歌流派的纲领，也没有在理论上对诗歌流派的成长起提挈作用。
The author believes that early verses in vernacular Chinese didn t cut off the connection with the tradition, but was greatly influenced by the deep-rooted creations of traditional verses.
本文从多方面考察诗话创始之初的宋代诗话与宋代最大的诗歌流派江西诗派的关系，认为早期诗话不是诗歌流派的纲领，也没有在理论上对诗歌流派的成长起提挈作用。
The author believes that early verses in vernacular Chinese didn t cut off the connection with the tradition, but was greatly influenced by the deep-rooted creations of traditional verses.
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