新美学的批评方法主要有依照症候阅读法、对话批评法、形式批评法等，这些方法都是对人类诗意存在的追求。
New aesthetical critical method mainly includes the Reading According to Symptom, the Dialogue Criticism, the Form Criticism, etc. Aesthetiaian are seeking mankind's poetic quality with them.
冰岛的能量被困在冰岛内部，如果存在一些关于被困能量的诗意想法，那么也存在一些冰岛人的乏味的妥协措施。
Iceland's power is trapped in Iceland, and if there is something poetic about the idea of trapped power, there is also something prosaic in how the Icelanders have come to terms with the problem.
诗意的生活就是一种最简单的生活，是不被生活所累，是不要在意太多，是顺其自然，那么诗意将不再是生活得技巧，而是一种人生存在的方式，至少我是这么认为的。
Poetic life is one of the most simple life, life is not tired, not to care too much, is what comes naturally, then the poetic skills will no longer live, but a way of life there, at least I think so.
它的文化功能体现在揭示人的生存境遇，追问人的存在意义，构筑人类的诗意理想。
Its cultural function is manifested by revealing human's survival circumstances, closely examining human 's existence significance, and constructing humanity's poetic idea.
由于现代艺术的本性被遮蔽，所以，只有回到诗意本性，艺术才能与真理、存在在本性上相关切。
The nature of modern art is covered, only come back to poetic, art can relates to truth, Being in nature.
作品运用反讽手法，通过对小说中人物行为的否定，继而否定了“诗意栖居地”的存在，使我们在阅读中迷失了回家的路。
The technique of irony is used to negate the characters behaviours and the existence of poetic human being's home, so that we lose our way home in reading.
“阴阳刚柔”、“万物化生”不仅是艺术生成及诗意性存在的内在依据，而且是中国艺术生命精神产生的动因。
It is not only the artistic production and the poetic existence intrinsic basis, but the agent which the Chinese art life spirit has produced.
这些神圣大地上的身影，以现代眼光去言说存在，探讨生命本真的诗意。
The silhouette on the sacred ground tells existence with modern perspective and discusses the poetic meaning of life.
阅读，有时是为了寻找一点诗意，有时是为了在别人的故事里刷自己的存在感。
Reading, sometimes in order to find a bit of poetic flavour, sometimes is to brush their presence in other people's stories.
海德格尔的诗意不仅针对艺术而言，还指人的感觉、人的存在的法度以及自由自在的生活状态。
Heidegger's poetry not only to art, also refers to people's sense of human existence seems unclear, as well as the state live in freedom.
海德格尔有关存在哲学的诗意性的研究主要包括三个方面：首先，诗人与在。
Heidegger's philosophy of poetry about the existence of study includes three aspects: First of all, the poet and being.
也许这种诗意的栖居，只存在于艺术之中。
身为女性艺术家却并没有站在女性主义的立场上标榜自己的创作而是自然的表达自己诗意的存在与生活。
As female artists but they do not glory their work with "feminism" instead of naturally expressing their poetic existence and life.
在黑暗的时代，诗人和思想家在诗意的吟唱中从“存在之遗忘状态”思入存在之真理。
In the dark era, the poet and the thinker think of the truth of Being in the forgotten state of Being when they poetically sing.
“人，诗意地栖居”是存在主义美学的代表人物海德格尔晚期诗学思想的一个著名命题。
The Poetical Dwelling of Human Beings is a marked idea in the late poetics thoughts of Heidegger, a renowned representative of existentialism aesthetics.
诗人远不像诗歌，他是最无诗意的存在。
A poet is not at all poetical. He is the most un-poetical thing in existence.
对于知识阶层而言，这种关联表现为对生命本真存在的诗意表述和高雅、理性的美学情调；
For intellectuals, it was the poetic description of human's nature-existent and elegantly rational taste;
德国存在主义哲学家海德格尔说：“人类充满劳绩，但还诗意地安居于大地之上。”
German existentialist philosopher Martin Heidegger said: "Human beings are full of labor achievements, but also as the land of poetry as a living."
德国存在主义哲学家海德格尔说：“人类充满劳绩，但还诗意地安居于大地之上。”
German existentialist philosopher Martin Heidegger said: "Human beings are full of labor achievements, but also as the land of poetry as a living."
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