他认为我们之所以对颜色和形状产生幻觉是因为我们的视觉感官在进化历史过程中产生的。
We misperceive colors and shapes because our visual sense has been molded by evolutionary history.
电影受许多因素限制，例如故事历史背景，感官的描述，这对于电影制作人来说是最大的问题。
Movie is limited by many factors, such as the story historical background, the description of the senses, which is the biggest problem to movie producer.
马克思美学认为劳动的本质在于人在改造对象世界的同时，生成创造了人自身，审美感官与审美感觉的形成是以往全部世界历史和全部人类劳动的产物。
It involves all humans activities of perception and objectiveness, the essence of labor from Marxism Aesthetics is that not only has human transform nature world, himself has also being created.
马克思美学认为劳动的本质在于人在改造对象世界的同时，生成创造了人自身，审美感官与审美感觉的形成是以往全部世界历史和全部人类劳动的产物。
It involves all humans activities of perception and objectiveness, the essence of labor from Marxism Aesthetics is that not only has human transform nature world, himself has also being created.
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