伦勃朗、勃鲁盖尔、梵高等荷兰艺术家的杰作在梵高博物馆、伦勃朗故居等地展出。
Masterpieces by Dutch artists such as Rembrandt, Bruegel, Van Gogh and others are on display at the Van Gogh Museum, Rembrandt House and others.
如果画里全都是一坨一坨小人儿，看起来却还挺正常的话，是勃鲁盖尔。
If the paintings have tons of little people in them but otherwise seem normal, it's Bruegel.
1559年，他放弃了的H从他的名字'，并陆续签署的勃鲁盖尔他的画。
From 1559 he dropped the 'h' from his name and started signing his paintings as Bruegel.
如果画里全都是一坨一坨小人儿，除此之外其他还挺正常的话，是勃鲁盖尔。
If the paintings have tons of little people in them but otherwise seem normal, it's Bruegel.
勃鲁盖尔将深刻的哲理寓于作品中真实可信的艺术形象，极富寓意和深刻性。
Bruegel lay the profound philosophy within the real credible artistic image, extremely rich implication and the depth.
总部位于布鲁塞尔的智囊团勃鲁盖尔在一篇文章中说道，欧元区需要建立统一的财政部，以提高自身税收，监督银行体系。
A paper by the Brussels-based think-tank Bruegel adds the need for a euro-zone finance ministry, with power to raise its own taxes and to oversee the banking system.
好的设计通常是奇特的.一些最杰出的作品有不可思议的品质:欧拉公式,勃鲁盖尔(Brueghel)的雪中猎人 ,SR-71,Lisp.
Good design is often strange. Some of the very best work has an uncanny quality: Euler's Formula, Bruegel's Hunters in the Snow, the SR-71, Lisp.
意大利文艺复兴时期的艺术家试着去忽视冬季，事实上，当勃鲁盖尔开始表现雪，冰以及厚实的衣物的时候，这成为了一种背叛与断言欧洲北部人身份的行为。
Italian Renaissance artists tried to ignore winter.In fact, when Bruegel dwelt on snow, ice and heavy clothes, it was an act of rebellion and an assertion of north European identity.
在早期日耳曼人的所谓“蛮族”艺术、中世纪的哥特艺术和文艺复兴时期以博斯、勃鲁盖尔为代表的艺术家创作的作品中，可以感受到强烈的表现主义倾向。
That tendency could be strongly felt in the 'barbaric' arts of early Germanic people, the medieval Gothic art, and works by such Renaissance artists as Bosch and Bruegel.
意大利文艺复兴时期的艺术家试着去忽视冬季，事实上，当勃鲁盖尔开始表现雪，冰以及厚实的衣物的时候，这成为了一种背叛与断言欧洲北部人身份的行为。
Italian Renaissance artists tried to ignore winter. In fact, when Bruegel dwelt on snow, ice and heavy clothes, it was an act of rebellion and an assertion of north European identity.
刘大鸿偏爱用简单的叙事手法，也爱用鲜艳的色彩，表现某种虚构的自信和不懂世故的天真，彷如从彼得。勃鲁盖尔的镜头回顾过去历史，全都是扭曲的影像。
Liu prefers simple narrative style ebulliently painted in brilliant colours that reveals a certain self-confidence and naivety, as if seen through the distorted lens of Pieter Bruegel.
刘大鸿偏爱用简单的叙事手法，也爱用鲜艳的色彩，表现某种虚构的自信和不懂世故的天真，彷如从彼得。勃鲁盖尔的镜头回顾过去历史，全都是扭曲的影像。
Liu prefers simple narrative style ebulliently painted in brilliant colours that reveals a certain self-confidence and naivety, as if seen through the distorted lens of Pieter Bruegel.
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